Nick Of Time Script - Dialogue Transcript
Transcript written by and used with the courtesey of Angela Sugden
Conductor
Los Angeles is next. Los Angeles is next. Please. . .
Announcer
Can I have your attention please. Amtrak train number seven-seventy-one. Amtrak train number seven-seventy-one is now arriving at track number nine, from San Diego, Solano Beach, San Clemente, San Juan Capistrano, Irvine, Santa Ana, Anaheim, Fullerton and Commerce. Now arriving at track number nine, the San Diegan.
Smith
Keep your eyes peeled. Sharp.
Rollerblader
Okay, okay. . .
Woman
Porter! Porter!
Announcer
May I have your attention in the station, please. Paging Ms Joan Beary, please report to Amtrak station services. Ms Joan Beary. . .
Security Guard
Hey, what the hell are you doing? Get your ass. . .You know you can't skate in here. Hey, this is George. Where you at? I ain't gonna tell you. . . Get your ass outta here, boy. What the hell you doing in here anyhow?
Woman
Come on, you're leaving your bags.
Jones
That one. Right there.
Smith
Nah. Hates his wife.
Rollerblader
Damn!
Jones
Oh, man, I hate rollerbladers. Skateboarders I don't mind, even though they dress like fucking idiots, but when I see some pin-head on rollerblades, it really gives me the urge to grease the front of may car with them.
Smith
Keep your eyes peeled.
Gene
Lynn, honey. Lynn! Lynn, don't run off now, Sweet-pea. Stay close to Daddy. Okay?
Lynn
Okay.
Gene
We made it.
Lynn
We made it.
Jones
What about them? Right there.
Smith
Too old.
Jones
Them?
Smith
You ever had an idea that died of malnutrition? Leave it to me. I know people. It's my job. People person.
Jones
What are you looking for, huh?
Smith
I'm looking for them, you see?
Jones
Where?
Smith
Right there.
Jones
Oh, yeah. I see.
Gene
Honey I gotta make a phone call. Do you see a phone anywhere? Hey, come on, you. Didn't you ever see anybody kiss like that before?
Lynn
On TV.
Gene
You never saw your mom and me kiss like that? Hey. Listen to me. It's all right to talk about it. You know that, don't you? All right. Well, tell me something. You never once saw your mom and me kiss like that?
Lynn
No way.
Gene
Not once? How'd you see us kiss? That's it? That. . . that little peck of a kiss? Honey, you missed a whole lot of kisses. Come here. Oh God, Honey. Daddy's late. We gotta go.
Smith
Look at him. He'd do anything for her.
Jones
Young love.
Couple
(talking in French)
Smith
Fuck me. Foreigners.
Jones
Frogs. They copy our blue jeans, but when we need their help in Kuwait, where are they?
Smith
Look at that.
Gene
Hi, Mr Conners, it's Gene Watson calling.
Rollerblader
Give me that little teddy bear.
Gene
Hold on one second. Hey! Hey! Honey, come here. Come here, sweetheart. You stay away from her. Come here. Sorry about that, sir. . .
Rollerblader
I want the teddy.
Gene
Stay close, Honey. Just guys on rollerskates. Look, er, er. . . My train just got in, I'm running a little bit late, but I'll get there as soon as I can, all right?
Rollerblader
Yo, punk.
Gene
Thank you very much.
Rollerblader
Check this out.
Gene
Hey, get outta here would ya? Leave her alone. Okay, bye. You ready, sweets?
Rollerblader
Yeah.
Gene
Let's do it. Oops. There you see. . . That's why you should always wear a helmet and knee pads. Because you never know when you're gonna fall down and go boom, right?
Lynn
Right.
Gene
Come on. Let's get outta here. Watch your step. Come on.
Smith
It's perfect.
Jones
Perfect.
Smith
Can I see some identification, sir?
Gene
Excuse me?
Jones
ID. Can we see some?
Gene
Er. . . Sure. Sure. Is driver's license all right?
Smith
Fine.
Gene
What's the problem? Oh, it's about those guys there, you know they were circling my little girl. . .
Smith
You're from Santa Maria, Mr Watson?
Gene
Yes, I am.
Jones
Where's that?
Gene
It's north, near Lompoc. Why?
Smith
Come with us, sir.
Gene
I'd like to know what's going on first.
Smith
Don't cause a ruckus, sir, not with the little girl along.
Gene
Er, ma'am. . .
Jones
Come with me.
Gene
Listen. Ma'am, I'll take my daughter.
Smith
Don't worry. My partner's good with kids.
Lynn
You stole that.
Jones
No, I didn't. I confiscated it. There's a difference.
Lynn
No, there's not.
Gene
`I'd like to know what's going on, officer.
Smith
I'll explain.
Gene
Officer, what's going on?
Smith
Get the front seat. Into the van, Mr Watson, thank you.
Jones
Let's get your seat belt on. Always wanna wear your seat belt, huh? Right?
Lynn
I want my daddy.
Jones
Well, you're Daddy's right there.
Gene
Daddy's right here, Honey. Daddy's here.
Jones
We're your Daddy's friends.
Smith
That's right. A policeman's your friend. Isn't that right, Daddy? Daddy?
Gene
That's right, Honey. Police are our friends.
Jones
Hey, would you look at this green car. . .
Gene
Listen, officer, I have an appointment that I'm late for. I'd really like to know what's going on.
Jones
This is the jack. Say "Hi, Jack".
Smith
Hi, Jack!
Jones
And this goes in this little hole, right here.
Lynn
Let me do it.
Jones
Okay, go ahead.
Lynn
It's loud.
Smith
Let's get down to business.
Gene
Who are you people?
Smith
Pay attention, Mr Watson, pay attention. And your daughter won't be hurt.
Gene
All right, Honey, come to Daddy.
Smith
Mr Watson, you're not paying attention. Your daughter's life depends on you. Do you understand? Do you understand that?
Gene
Yes.
Smith
Good. This is for you. In it there's a picture of a woman and an itinerary. It's her itinerary. She is presently. . . You listening, Mr Watson?
Gene
Yes.
Smith
She is presently at the Bonaventure Hotel. It's not far from here. When you leave this van, you'll get yourself a taxi over there and you will take it to the Bonaventure Hotel. Then, you will take this, and you will kill the woman whose picture's in there. Not just shoot her, mind you, kill her. I recommend you empty the gun into her, close up. You got all that?
Gene
You're outta your mind.
Smith
What's your point?
Gene
I will do no such thing.
Smith
Yes you will, Mr Watson.
Jones
Don't worry. We'll take good care of the kid.
Smith
It's now twelve-sixteen. If the woman in the picture's alive at one-thirty, half past one. I call my partner, you're daughter's dead. What happens if I don't call you?
Jones
Kill her anyway.
Smith
You hear that, Mr Watson? Do you understand? It's the woman in the picture or your daughter.
Gene
My God.
Smith
God can't help her, Mr Watson. Only you can help her.
Jones
Only you.
Smith
We're wasting time. Let's go.
Gene
Honey? Daddy has to, go somewhere. I'll be back soon. Okay? Stay with the nice lady.
Smith
Move it. Let's test this thing. Are you on?
Jones
Read you.
Smith
You'll need some cash. There you go. I'll hang on to the wallet, for the time being. You'll need these. Cabs are that way. Get moving, Mr Watson. Time's a-wasting. Let's do it.
Lynn
Where's my Daddy going?
Jones
Your Daddy's gonna help the police, he's gonna be a hero.
Lynn
Like 'Power Rangers'?
Jones
Yeah, just like 'Power Rangers'.
Girl
Mamma!
Woman
(talking in Spanish)
Officer
Check you in about an hour.
Gene
Officer. . .
Smith
You talk to a cop, you even look at a cop too long, and your daughter's dead. Get over there. Just do it.
Jones (on radio)
Go ahead, Sugar-Pie.
Lynn (on radio)
Lynn calling Daddy. Lynn calling Daddy. Come in, Daddy.
Gene
Lynn.
Lynn (on radio)
I can hear you good. Can you hear me?
Gene
I can hear you, Honey. Where are you? You okay? Are you okay?
Jones (on radio)
That's enough. Daddy has to go now.
Lynn (on radio)
You have to say 'over and out'. Daddy you have to say 'over and out'.
Gene
Over and out.
Smith
Okay. Look at your watch. Look at it. At one-thirty your little girl is dead. Say it with me. At one-thirty my little girl is dead. Say it! Say it! Name it!
Gene
At one-thirty my little girl is dead.
Smith
Unless you do what you're told. You go do it. Don't forget, I'll be watching you.
Gene
Excuse me, I need to get to the Bonaventure Hotel.
Taxi Driver
Bonaventure?
Gene
Yeah. You know where that is?
Taxi Driver
Yeah, yeah. I can see it from here. Amtrak?
Gene
Huh?
Taxi Driver
What did you come in on, Amtrak?
Gene
Oh, yeah.
Taxi Driver
Business or pleasure?
Gene
Business.
Taxi Driver
So where'd you come in from?
Gene
What?
Taxi Driver
Where'd you come in from?
Gene
San Diego.
Taxi Driver
Ah, San Diego. I thought about moving down to San Diego. It's hard to make a living in this town. With short hops you can't make a dime. What do you think?
Gene
About what?
Taxi Driver
San Diego. Better opportunities in San Diego, or what?
Gene
I really wouldn't know. I don't live there. I, I just went down there for a funeral.
Taxi Driver
Somebody close?
Gene
Excuse me?
Taxi Driver
Was it somebody close to you?
Gene
Yeah. Yes. It was my wife. Well, ex-wife. Soon-to-be-ex. She wanted a divorce. Listen, er. . . I've got a problem, I've got a really big problem.
Taxi Driver
Oh, yeah? Maniac! What the hell are you doing?! Sorry about that. Well, I'd like to hear about your problem, but the ride's over. That'll be three-fifty. I hope your problem's got nothing to do with my three-fifty.
Gene
No, no.
Taxi Driver
What, you writing a cheque?
Gene
Thank you very much.
Taxi Driver
All right. Thank you.
Doorman
I got you, sir. Right here. I got one for the airport. You free?
Taxi Driver
You betcha. Public accountant? What the hell'd I need with an accountant? Hello.
Man
Hey.
Workman 1
Ben! Ben! Coming on down. Coming in.
Workman 2
Let it go!
Gene
Oh, shit. Excuse me. Can you tell me where the Emerald Bay Room is?
Gustino
Third floor. Yellow stairwell. Follow the signs.
Gene
Thank you.
Gustino
No problem.
Brendan
The governor and I have an enormous admiration for people like you. . . I'm sorry. You okay?
Gene
Yeah.
Brendan
Sure? Nice body-check. Anyway, it's illuminating, it's inspiring. . .
Gene
Excuse me, ma'am, is the thing over?
Woman
You didn't miss anything. The food, soggy pancakes. . .
Gene
I guess the governor's gone.
Woman
Nice speech. You know. It's the same at all these things.
Smith
Okay. Just check that itinerary and move along. It's right here.
Gene
That says 'invitation only'.
Smith
See, you're a big donor to the campaign. Of course you're invited. They love you. That'll get you in anywhere.
Gene
Who are you?
Smith
I'm the guy's gonna kill your daughter if you don't get moving.
Eleanor
Nobody heard a word I said. The mike was too low on the podium.
Ms Brooks
How much did we pay for that room?
Franco
We didn't.
Eleanor
Well somebody did. Make sure you have Melvin pre-check the PA system.
Franco
Excuse me, sir. This elevator's for the governor. You can take the next one.
Eleanor
No, no, no. Don't you dare, Franco. This is one of our biggest contributors. Look at the name tag. Come on in, it's okay. Hi, Eleanor Grant, gubernational incumbent. It's a mouthful, isn't it? I love saying it. Whose idea was it to schedule lunch right after brunch?
Ms Brooks
We'll just walk through, we'll do a little grip and grin. And we'll get ready for the press.
Gene
Governor?
Eleanor
Yes.
Gene
I need your help.
Eleanor
What can I do for you, Mr, er, Watson?
Gene
It's about my daughter... Now, my daugh. . .
Smith
Got room in there for one more?
Eleanor
Well I think we can accommodate one more.
Smith
Pleasure, Governor.
Eleanor
Well, thank you very much. Erm, you were saying. . . Your daughter. Yes?
Gene
Well. . . She just wanted me to be sure that I got your, um, autograph.
Eleanor
Of course! I wish everything were that easy.
Ms Brooks
I've got the pen if you've got the paper. How about that? That something precious?
Gene
No.
Eleanor
Um, her name? Her name?
Gene
L. . . Lynn. Her name's Lynn.
Ms Brooks
You know, it's funny, I don't even keep a pad of paper with me any more. Everything's gone so electronic.
Eleanor
Are you all right? I know, elevators make me queasy too. Here. Good luck. All right, here we go guys. Let's go. Thank you. Thank you very much. Thank you.
Smith
She was right in front of you.
Gene
Listen to me. . .
Smith
What's wrong with you? Are you fucking with me? Are you fucking with me? Get up there.
Gene
The gun isn't loaded.
Smith
It's not? Give it to me. Give me the gun! You don't get chances like that. Mr Watson. That's the way life works. Turn around. Now look at that. Huh? You see that? Do not blow the next one. Hear me? All right. It's loaded. It's ready, for the hunt, and so are we. Sorry I hit you.
Gene
Yeah.
Smith
Breathe deep. Let's go.
Gene
I think I need a restroom.
Smith
It's that way.
Chinese Man
(talking Chinese)
Huey
You having a rough day? Down at the heels, as they say? You don't see your face, you don't pay. What you need is a shoeshine.
Jones
That's pretty good.
Lynn
I've done much better ones than this.
Jones
You have, huh?
Lynn
Oh, yes. I'll show you. I have much more colours at home.
Jones
Well, that's good. That's good, Sweetie-Pie.
Smith
Let's go.
Huey
Shoeshine. Shoeshine today. Hey, hey, shoeshine. Take ten. Take a break. Take a seat. Take a load off. What you need is a shoeshine. Shoe shining day. Come on. Take ten. Take a break. Take a load off. Put the world in perspective. So, are you a visitor?
Gene
No, no I'm just visiting.
Huey
What do you do? If, I may be so bold.
Gene
Sorry, what?
Huey
What do you do?
Gene
I'm an accountant.
Huey
Well, don't denigrate yourself, my friend. Where would the government be without accountants? They wouldn't know how hard they could squeeze us, until we popped. Isn't that right? Now, you take tips. Time was, a tip was between a man and his customer. Not anymore. They've figured out what they call, a formula. They take your sales see, and slap a percentile on that figure. And somewhere between your lies and your bad luck, they'll hit on the 'mean amount', mean meaning in the middle. But if you ask me it just means plain mean. You can have Uncle Scrooge wring a nickel over your palm, or Daddy Warbucks dropping pearl stickpins, don't make no difference. They'll tax your behind according to that same formula. Doesn't seem quite right, does it?
Gene
No, it doesn't.
Porter
Hey, Mr Huey. How's it going today?
Huey
Well, it's a load, my friend. But somebody's got to carry it.
Gene
Sir. Sir. I need your help.
Huey
What's that? You'll have to speak up.
Gene
There's a little girl in a van. She's my daughter.
Huey
I'm, I'm a little deaf in this ear. I mean, between that and my wooden leg, I'm all messed up. Compliments of the United States Army, Artillery Corps.
Gene
Listen to me. A man and a woman were at the train. They showed me a badge and then they took her away from me. They took her because they want me to do something for them, do you understand? She's in trouble.
Huey
I'll have you out of here in a few shakes.
Gene
Please, I don't have much time. I need your help. He's watching me.
Huey
Who's watching you?
Gene
The man.
Huey
You know, for a quality shoe, you can't beat a good wing-tip. No, sir, it wears like iron. No you're a, you're a wise man, you know? There you go. Two bucks'll do you. You got anything smaller?
Gene
Keep it.
Huey
Well, that's a twenty.
Gene
It's fine, keep it.
Huey
Well, thank you.
Gene
What street is that?
Huey
That's Flower. Just go out past the bar. Takes you right out there.
Gene
Do me a favour. If anything were to happen to me, remember the van. She's in the van.
Smith
Ten minutes, you get another chance.
Gene
Good. Then I've time to get a drink.
Smith
All right. Make it just one, Mr Watson, wouldn't want to lose you.
Man 1
So, where was I?
Man 2
Something about the governor's new regime.
Man 1
Oh, yeah, yeah. She's dumping the good old boys faster than yesterday's newspapers.
Man 2
It's no wonder they're howling.
Man 1
They had no idea she was gonna turn into this flaming Liberal.
Man 2
They're pisses, huh?
Man 1
She's turned the governor's office into the United Nations. You don't think they're gonna make her pay?
Man 2
Fuck with this bunch, they could blow your ass to kingdom-come.
Man 1
That's right. The only people not on her staff, are those ones still lost in the rainforest. I'm serious, I'm serious. Who are these people? They don't represent you and me.
Jones
Ssh, ssh, ssh. You'll wake the baby up. What we have here, is what they call a Mexican Stand-Off. Now, the thing you've gotta ask yourself is, what's behind the seat? Now, a twenty-two'd go right through it. But even a button'll throw a twenty-two off, so there is a good chance that it could get screwed up somewhere along the way and miss the target. What about a thirty-eight? Well, a thirty-eight will drill pretty straight, unless, of course, it hits metal. Then it's gonna bust up into little biddy pieces. It'll keep going. But it'll get slowed down quite a bit. How's about a three-fifty-seven? Now that'll go through the seat, her, the dashboard. Shit, it'll go through the entire engine block before it even knows it hit anything. It'll end up in some pedestrian three blocks away. What do you think? What's my poison? Huh? Well, it's a comfort to know you've got the cajones to pull that thing out. Whether or not you've got the balls to pull the trigger, we've still gotta see. Close the door. It's hot outside. He's coming back in.
Smith
I got him, in the cross-hairs.
Gene
Excuse me, pool deck, where's the pool deck?
Porter
Fourth floor. Take that escalator.
Gene
Thanks very much.
White
Take positions near the stage area. Keep your eyes open. Let's have a safe day.
Officer
You got it.
Security Guard 1
Sir, do you have metal in there?
Man
Er, just my keys.
Security Guard 1
May I see them? Thank you.
Security Guard 2
Sir, I can take you down here. You don't have to wait, I can take you up here. Come on. Sir. Yes, you. I can take you down here. Come on down. Come on. Okay, you're all done. Move on now. Right here.
Officer
Sir, they're all in place.
White
Best we check the entryway over here.
Gene
Officer.
Smith
I know what you're thinking. You're like a worm on a hook, wriggling around thinking you might get off.
Gene
What would you do?
Smith
She'd be dead. You do what you're supposed to do, young man. You do it now. Whoa, what're you doing?
Gene
Officer.
White
Yeah?
Gene
There's a plot to kill the governor. Now, if you don't believe me, you can check that man right there. He has a gun.
White
So do you, Mr Watson. You got this under control, Smitty?
Smith
Yeah.
White
Sure doesn't look like it.
Smith
Well, it's under control.
White
Yeah. Well, it'd better be, 'cos I'm running out of these.
Smith
I ought to throw you after that walkie-talkie but, I'm gonna give you a break 'cos you're amateur.
Waiter
Gentlemen?
Smith
Yeah, thanks.
Gene
No, thank you.
Smith
Have a cracker, Mr Watson. Thank you. You got spunk. There was this guy, big guy, Irish-Italian, red face, black hair, jolly son of a bitch. Wait a second. Nobody could make me laugh like him. He made a science of collecting jokes. Closed more bars together than I could count. Now, he was a pal. I loved the crazy Mick. I'm not ashamed to say that, but, he was a fuck-up. He had this image of himself. He thought he was a, a con-man. Always trying to shave the edge. He was nickel and dime. I'll always miss him. Tell me why.
Gene
Tell you why what?
Smith
Tell me why I miss him.
Gene
He's dead?
Smith
That's right, he is dead. But tell me why.
Gene
How do I know? I don't. . . I. . .
Smith
Tell me why he's dead.
Gene
'Cos you killed him.
Smith
That's right, I did. I killed him. He fucked up one too many times, so, I put a bullet in his eye, then I put two more into him just to make sure. Now, that was somebody I loved. I loved him. But, I got the call, I put him down like a sick animal. So, if you got doubts about what's gonna happen, if you don't deliver, let me tell you something. I'll make gravy out of your little girl, just to season that black Irish cocksucker's meat. You do what you're supposed to do, young man. You do it now.
Announcer
May I have your attention, please. May I have your attention. Let's give a big warm welcome to the honourable Tom Bradley.
Ms Brooks
Hi.
Gene
Hi.
Ms Brooks
Are you feeling better? The elevator, you weren't feeling well. Are you better now?
Gene
Oh yeah.
Ms Brooks
Better now?
Gene
Yeah, much better, thanks.
Tom Bradley
I give you now, my friend and yours, Governor Eleanor Grant.
Gene
You know something? My wife, always said I had a problem trusting people.
Eleanor
Thank you, Tom, for that lovely introduction.
Ms Brooks
Well, you can trust Eleanor Samara Grant.
Gene
Yeah. Well, I'm gonna trust you, and you're gonna trust me.
Ms Brooks
Er, I don't understand.
Gene
Listen, I don't want to hurt you, but my little girl needs your help. She's going to die if you don't help me.
Ms Brooks
Okay, I'll help you. Let me, let me just get Mr White. He's our head of security.
Gene
No, no, everything's fine, just take a walk with me, just you and me. Right this way.
Eleanor
As it is, this is not the life I want for our children, for myself and for you. . .
Gene
I'm gonna put the gun back in my pocket now, but don't make a move 'cos it's still pointing at you, all right?
Ms Brooks
Okay.
Gene
Just pretend that nothing's happening. My daughter's been kidnapped. They say they're going to kill her if I don't kill the governor. I don't wanna do that. But. . .
Ms Brooks
All right, all right. Let's talk to security.
Gene
No. Can't talk to security, they're involved.
Ms Brooks
I don't see how they could be involved. They're the best. They're hand-picked.
Gene
Well, how'd I get in here with this?
Ms Brooks
I don't know.
Gene
Listen to me. Now, if you don't help me, the governor'll be dead. I promise you. Please, you gotta trust me.
Ms Brooks
It's a little hard to trust you, under the circumstances.
Gene
All right then, here. Do you trust me now?
Ms Brooks
I guess I'll have to.
Gene
Well, good.
Ms Brooks
Okay, there's one person that we can go to, come on.
Gene
We can't go anywhere. They guy that's following me's got eyes in the back of his fucking head. If he see's I'm not here, my daughter's dead.
Ms Brooks
Well, he'll think you're in the crowd until the end of the speech. Wait a minute, wait, wait. Er, we got about ten minutes.
Gene
Ten minutes, you sure?
Ms Brooks
Yeah, I'm sure, I've heard this speech a lot. Now come on, we'll take care of it.
Gene
No, wait. I can't, I gotta. . .
Ms Brooks
Hey, hey, trust me. You asked me for my help. Let me help. Come on.
Gene
Listen, put that thing away, would you?
Ms Brooks
Oh, yeah. Er, okay.
Gene
Thank you.
Eleanor
. . .control crime and prove that communities do belong to the people. . . . . .and change a perverted system that let's us carry guns to school, but forbids us to pray there. Education is the key. Education is. . .
Albert
Ms Brooks
Ms Brooks
Is he in?
Albert
Yes, ma'am.
Gene
You sure we can trust these people?
Ms Brooks
It's her husband, he's her campaign manager.
Brendan
What is it? Is there a problem?
Ms Brooks
Brendan, we need to see you.
Brendan
Aren't you supposed to be downstairs, covering the conference?
Gene
We gotta hurry.
Ms Brooks
Brendan, listen to me. Someone is trying to kill Eleanor.
Brendan
What, what are you talking about?
Ms Brooks
We, we need people that we can trust, we've only got a few minutes.
Brendan
Well, that's absurd. How do you know that?
Gene
I know it, because I'm supposed to kill her.
Brendan
You are? You're supposed to kill my wife?
Gene
That's right.
Brendan
And you brought this man to our suite?
Ms Brooks
I had to, Brendan. Her security people may be involved.
Old Man
Is there a problem, Brendan?
Brendan
Er, I think you could say that. This man says he's been hired to kill Eleanor.
Gene
No, not hired. Blackmailed. They're blackmailing me.
Old Man
Now, who is this 'they'?
Gene
I really don't know, sir. Mr Grant, we've gotta hurry. They've kidnapped my little girl. Your, your wife's in serious danger here. I mean, anything could happen at this point.
Old Man
Er, just a minute. On the strength of this. . . story, you bring this man to Mr Grant's suite? You think that shows very good judgement, Miss Brooks? I may be just a friend of Brendan, but it certainly. . .
Ms Brooks
He brought a gun, onto the pool deck.
Brendan
What?
Ms Brooks
He got onto the pool deck carrying a gun. Now, how did he get past her security, with this gun?
Brendan
I'd like to know that.
Old Man
Is it real? I mean, do we know anything about it?
Ms Brooks
It looks real. I don't know anything about guns.
Old Man
May, may I see it, please?
Gene
The gun's real.
Old Man
Well, it certainly looks real. May we have your opinion? You're supposed to be the expert in these matters.
Smith
Yeah, I'd say it's real.
Brendan
Are you out of your fucking mind?
White
What are you doing?
Smith
Help me. Get her outta here.
White
What's the matter?
Brendan
God, what have you done to me?
Gene
Bastard!
Smith
You fucked up! You want me to kill your kid?! You want me to kill you?!
Old Man
That's enough. I said that's enough. Don't let him get away.
Gene
I killed you.
Smith
You fucked up.
Gene
No, please. Please, no!
Lynn
Help me, Daddy!
Old Man
You put him down, right now! You nearly killed him, you idiot.
Smith
Nearly doesn't count.
Brendan
Well, this is a nightmare. This was supposed to be clean and simple. A high-powered rifle and it's over. But no, you've gotta get creative. Drag some jerk in off the street, stick a gun in his hand, and what? I mean, what the hell were you thinking?
Old Man
Relax, relax will you? It's academic now.
Smith
What were you thinking, lock her in a closet? He's been seen all over the hotel, looking like some looney-tunes. Got him on video. It'll work. Don't worry about it. Come on, you. Up, let's go. I want to show you something.
Brendan
I don't think we should go through with this.
Old Man
I'm afraid it's too late for that now.
Brendan
How do I explain a dead woman on my bathroom floor?
Old Man
She's Eleanor's assistant. She would have been shot by the same gun, by the same man, some, anonymous loser who went over the edge.
Smith
Okay. Look at that. That's what it looks like. She was alive a minute ago, now she's dead because. . . you wouldn't do what I told you to do.
White
Here, here, clean up. Come on, let's get going, we've only got a few minutes to pull this together.
Smith
Look at that. Let's go.
Old Man
Every single promise made to us when we got that woman elected was broken. I don't have to remind you who was supposed to keep her in line.
White
Hey, Albert. Let me use your phone for a second.
Gene
I know how this thing's supposed to work.
Smith
Do you, Mr Watson? Huh?
Gene
I kill her and you kill me.
Smith
Keep your voice down.
Gene
Even if you don't, a security man will. How am I supposed to get away?
Smith
That's not my problem. Come back.
Gene
How do I know you're not gonna kill my kid once I'm gone?
Smith
It's the radio. Come back. I told you, she'll be all right. You do your job.
Gene
Fine. I'm supposed to trust you?
Smith
What choice do you have? After you. Gene, look out there. You see the van?
Gene
Yeah.
Smith
Come back.
Jones (on radio)
Yeah.
Smith
Do it!
Lynn (on radio)
Daddy! Help me, Daddy! No!
Gene
You son of a bitch!
Smith
Security force, take the next car. Thank you. Do it again.
Lynn (on radio)
Daddy! No!
Smith
You got one last chance. Half an hour, the kid is dead. I'll kill her myself. . . rip her head off right in front of you. Get up. Come on. Come on.
Lynn (on radio)
Daddy, did you hear me scream? She told me to scream as loud as I could. Did you hear me?
Man
Oh, Jesus!
Smith
Next time I tell you to do something, you damn-well do it.
Jones
Hey fuck you. You wanna baby-sit a screaming kid in traffic, you come out here and do it. He got the message, didn't he?
Huey
Come on, step up. Give 'em a shine with that extra something. Come on, step up. Do your shoes a favour. What you need is a shoeshine. Shoeshine, shoes shines today. Hey, take ten, take a break, take a seat, take a load off, put the world in perspective. So, what do you do, if I may be so. . . you got a complaint?
Gene
Remember me?
Huey
Yeah, the big tipper.
Gene
Good. Listen, something's gonna happen. When it's over with, you'll know what I was talking about.
Huey
What? The end of the world? Look man, don't give me your crazy rap. I'm not a bartender. I don't wanna hear it. I raise a family doing this bull-shit. Do me a favour. Get your white ass outta my chair. Big tip doesn't give you the right to crap in my ear. You want change, then you got it, brother. What was that you gave me? A twenty?
Smith
Let's get some privacy.
Gene
He's deaf.
Smith
You wouldn't be kidding me?
Gene
No. No, no, he can't hear a thing. Look, read that sign.
Smith
Is that right? Shine man, you can't hear me? Hello.
Huey
Well, well lookee here. My customer quotient just got multiplied by two. What do you think of that? Oh, you'll have to forgive me, sir, I didn't hear you approach. Fact of the matter is, I'm deaf as a post. You want a shine, sir? You don't see your face, you don't pay.
Smith
Yeah, sure, give me a shine. Let's get out our itinerary. Hold that. Don't throw it away. I'm putting your toy back in your pocket, Mr Watson. It's all wound up. Now, let's check this itinerary. Right there.
Gene
One-thirty, California Ballroom.
Smith
That's right. That gives you twenty-eight minutes to get your shit together.
Gene
Let me talk to her again.
Smith
No.
Gene
I wanna talk to her.
Smith
Forget it.
Gene
You let me talk to her, or you can forget it.
Smith
Don't you threaten me, young man.
Gene
It'd be a lot less trouble if you'd just let me talk to her. You're wasting time.
Smith
Come back.
Jones (on radio)
Yeah.
Smith
Put her on.
Jones (on radio)
What gives?
Smith
Just put her on.
Lynn
Daddy?
Gene
Yeah, Honey, it's me.
Lynn
I'm tired. I want to go now.
Gene
I know you do, Honey. So do I.
Lynn (on radio)
Can we go now?
Gene
Not just yet, Baby.
Gene (on radio)
Daddy has to do something, first.
Lynn
To be a hero?
Gene
No, no, not to be a hero, Honey. I want you to remember something for me, okay?
Lynn
All right.
Gene (on radio)
Daddy's doing it for you, no matter what anybody tells you, he's doing it for you, because he loves you, all right?
Lynn
All right.
Gene
Promise me that.
Lynn
I promise.
Gene
All right, kisses to you.
Lynn
No. Kisses to you.
Gene
Kisses to you, Sweet-Pea.
Smith
You done yet?
Huey
Two dollars, if it pleases ya.
Smith
It does not. I remember when it was two bits. Twenty-seven minutes.
Huey
Thanks for the tip. Mister, what are you dragging me in to?
Gene
I'm dragging you in to. . .
Huey
Cover your mouth!
Gene
What?
Huey
That screwball's watching, is that right?
Gene
Yeah.
Huey
Then don't let him see you being talking to me.
Gene
All right.
Huey
That's your kid on the walkie-talkie?
Gene
Yeah. They got her in a van across the street. They said they're gonna kill her if I don't do something for them.
Huey
Twenty-seven minutes in the California Ballroom?
Gene
Yeah, that's right.
Huey
What are you supposed to do?
Gene
Kill the governor.
Huey
I knew I should have packed up and gone home, as soon as I got that twenty. What am I supposed to do about this situation?
Gene
What am I supposed to do? These people have my baby. I make one wrong move and she's dead. I don't know who to trust. Everybody's involved in this, I mean everybody. Except. . .
Huey
Who?
Gene
The governor.
Huey
Oh, Jesus Christ!
Gene
I gotta somehow do right by my little girl. I don't care what happens to me, as long as she's okay.
Huey
Look, I can't keep. . . er, can't keep playing with these shoes. Er. . . it'll look funny. Look, er, you go out and get yourself a drink. Make sure Godzilla there follows you.
Gene
What are you gonna do?
Huey
I don't have the faintest idea. Just go on over there and I'll get word to you.
Gene
Stay out of it. Keep the change.
Huey
Yeah. Well, don't think I won't.
Gene
I'm gonna get a drink. Can I get a Jack and Coke, please?
Barman
Jack & Coke.
Man 2
Yeah, I thought she was gonna get out the violins.
Man 1
Oh shit, if I hear that 'stop the violence' routine one more time, I swear to God, I'm gonna shoot somebody.
Man 2
Politicians. All the same.
Smith
God can't help her, Mr Watson. Say it with me. At one-thirty my little girl is dead. Say it! . . .gravy out of your little girl. . . the guy who's gonna kill your daughter if you don't get moving. Get moving mister.
Waitress
Sir? Sir, here's your Jack and Coke.
Gene
Thank you.
Man 1
. . .bullshit because there is no such animal. You know what we are? We are a nation of two-hundred and forty special interest groups and that is it.
Barman
Er, sir, you haven't paid for that.
Gene
It's on that special interest right there, at the end of the bar.
Barman
Sir, sir. Don't make me call a cop.
White
Where is he? Did you lose him?
Smith
Shut up.
Gene
Let's hope so.
Huey
Hey, quick, quick. Off with the shoes and pants. Trade with Gustino. Hurry up, come on, just do like I tell you.
Gene
What are you talking about?
Huey
Don't worry about it. No time to be shy, ladies. Come on, do as I tell you! Hurry up! Godzilla's coming. Come on, come on, hurry up. Okay. Come on, shut the door.
Cleaner
It's all right, he's gone.
Huey
This is Irene.
Gene
Hi.
Irene
Hello.
Huey
Irene's going to help.
Gene
Oh, thank you.
Irene
Yes, follow me.
Gene
Where am I going?
Huey
You said there was only one person you knew wasn't in this.
Gene
Right.
Huey
Well, you're going to see her.
Gene
What?
Huey
You sure she's asleep?
Irene
I took some extra pillows. She take a nap before her big speech.
Gene
What am I going to say to her?
Huey
It'll come to you. See if you can stop this thing before it gets started. Save us all considerable embarrassment.
Irene
You don't have to save me. I've got nothing to do with it.
Huey
Irene.
Irene
I'm not going to give you no key.
Huey
Irene, come on.
Irene
No, I'm not going to do it.
Huey
Come on now, Irene.
Irene
I'm sorry. Hi, Albert.
Albert
Hi, how're you?
Irene
How you doing? Pretty good. Thought I'd come by and clean up a little bit for you. You mind?
Albert
Thank you.
Irene
Thank you. You deserve a nice, clean place.
Albert
Well, thank you.
Irene
So... give me that. Yes. Thank you. How's everything? Working hard, huh?
Albert
Working hard.
Irene
Oh, yes, I know how it is. So, how long you gonna work here?
Albert
Oh, about five.
Irene
Oh, really? Well, see you later, huh?
Albert
Take care.
Gene
I am not gonna hurt you.
Eleanor
Now, my security people are right outside. Any loud noise they'd just come right in here, you, you wouldn't get very far.
Gene
And if I was gonna hurt you, I would have done it already.
Eleanor
At least that's a little comfort.
Gene
I have a problem.
Eleanor
I can see that.
Gene
I'm sorry to say, ma'am, that my problem is also your problem.
Eleanor
Wait a minute, I know you. You're. . . from the elevator.
Gene
That's right.
Eleanor
You were very nervous.
Gene
Guns tend to make me very nervous.
Eleanor
Yeah, me too.
Gene
We don't have much time. I need you to listen to me carefully. Three lives depend on you listening very carefully to what I have to say. Do you understand?
Eleanor
Yes, I do, I do. And I wanna hear you, I mean. . .
Gene
Okay.
Eleanor
Maybe, just let me call my assistant, her name's Krista Brooks and she's in charge of. . .
Gene
She's dead.
Eleanor
She's dead? How do you know that?
Gene